Commit Graph
16 Commits
Author SHA1 Message Date
marcandClaude Opus 5 3b7958b713 A chapter with an order of its own
A chapter orders its own notes now, chosen in the same dialog as its name,
mark and colour -- one decision about one thing. The notebook's setting
governs the notebook's own list; a chapter is a place someone made and
filled, so a reference chapter can stay alphabetical while the notebook
around it stays as it was arranged. It starts hand-made, and a chapter put
in one of the other orders loses its lines and its handles exactly as the
notebook does: neither means anything against an order the app is choosing.

A line still would not go under another line, and the comparator was only
half of it. The write was then thrown away by the "did anything change?"
test, which sorted the separators before comparing them -- to ignore the
other chapters' lines riding along in the same field -- and a sorted
comparison cannot see a sequence. Two lines in one gap carry the same
position, so swapping them changes nothing else. It compares this list's own
lines, in order.

An open chapter swelled while rearranging: the strips at the two ends of its
list stood open for the whole of the mode, adding half a finger of empty
space inside every chapter. They are thin now, and only there while
something is actually being carried -- which is also why the suite presses
first and aims afterwards.

Server: sort_mode on chapters, validated against the same five modes as a
notebook's, and set outside the COALESCE so null means the hand-made order
rather than "leave it alone".

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-17 16:45:05 +02:00
marcandClaude Opus 5 f01522aa6f A chapter is a list too, and deleting stops moving things
Deleting a note moved everything else. A row leaving is the same problem as
a row arriving, in reverse: a line's position counts the rows above it, so a
note deleted above a line left the line counting rows that were no longer
there, and everything under it appeared to jump up past it. withoutRow
renumbers the list a row leaves, and every place one leaves says so -- the
bin, a move, a chapter being removed. Arrivals land at the top: an old
position belongs to an arrangement that has moved on.

A line could not be dragged under another line. Two lines in the same gap
carry the same position, and the comparator claimed "a separator comes
first" without asking what the other one was -- both directions at once for
that case. A comparator that contradicts itself has no defined result, so
the sort returned them in whichever order it happened to walk.

A chapter is always in the user's own order and can be arranged like any
other list: its notes wear handles under the same switch as the list beside
them and are dragged among themselves, strips at both ends included. The two
lists keep apart by scope -- a chapter unfolded under its row holds rows
inside a row of the notebook's list, so the nearest row above the pointer
cannot say which list a drag belongs to. The sort menu is gone inside a
chapter: the mode belongs to the notebook, and a menu there would offer a
choice that cannot be honoured.

The chapters suite no longer assumes the first chapter row is the one that
matters. A chapter is a row in the arrangement and can be anywhere in it.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-17 12:37:02 +02:00
marcandClaude Opus 5 a9391cdcf2 One direction to drop in, and a new note that stays on top
Every new note pulled the arrangement apart. A note was made with no
position and left to the tie-break, which put it near the top by age --
which is not the same thing. A separator's position counts the rows above
it, so a row appearing without a renumber left every line one row too
high. placeOnTop builds the order from the list *without* the new note and
puts it in front: measuring the room after the furniture has moved would
write the misreading back as the truth.

A drop now lands the row under the one it was released on, and only there.
Dropping above a row and dropping below the row before it are the same move
described twice, so every gap could be aimed at from two sides. The strip
above the first row is the one place a drop under something cannot reach.

A chapter could only be dropped into, never dragged past: taking the whole
row as a place quietly took reordering away. The bottom edge of its header
is the gap now, the rest of the row is still the chapter.

A link showed the sheet of paper whatever it pointed at. The @ menu dropped
the mark on the way into the link, and the refresh that keeps a link current
ran once, while the editor was still empty -- content is poured in afterwards
without an update event, so nothing ever looked again.

The mark in the title bar and the box in a task list were each centred on a
line box rather than on the letters in it, which is not the same as being on
one line. The mark shares the title's baseline; the box is centred on the
capitals and sized in em.

Move to... is divided under headings that are deliberately not shaped like
entries, and each row carries the mark its chapter or notebook wears.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-17 11:45:16 +02:00
marcandClaude Opus 5 d68b0775c2 One dialog per thing, and rows dragged into a chapter
A separator had three menu entries — rename, colour, line — plus an input
that appeared in the row itself: three shapes of interaction for one small
thing, and none of them showed the result. Choosing "dotted" from a list
of words is a guess. It is one Edit now, and the dialog draws the line as
it will look with every shape drawn beside its name, from the very rules
the list draws with: a sample that can disagree with the result is worse
than none.

A chapter goes the same way — name, mark and colour in one dialog, the
same one whether it is being made or changed, with the row drawn at the
top. Asked from three entries, getting a new chapter to look right took
three visits. The name dialog it used is gone.

A row is put into a chapter by dragging it onto it: the chapter lights
up and takes what is dropped rather than growing a line above it, since
a chapter is a place and not a neighbour. Notes and separators both, and
the "+ Separator" inside a chapter goes with it — a second way to make
the same thing in a second place is a second thing to keep straight.

A link now wears the mark of the note it points at, in the text and in
the @ menu. It travels when the note's mark changes, as the label
already did.

Two alignment faults: a task list's checkbox was nudged down by a fixed
0.35em measured once against one font, so it floated above the line it
belonged to — it is centred in a box one line tall now. And the title
bar's mark was spaced like the buttons at the far end and grew with its
contents, so picking an emoji shifted the title sideways.

Fourteen suites green: 374 browser checks, 241 unit tests.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-17 00:23:26 +02:00
marcandClaude Opus 5 f1d3e38f8f Marks, lines, and a table that breaks
A long table lay straight across the gap between two sheets with a row
cut in half, and a shorter one jumped to the next sheet whole leaving
the rest of the first blank. Tables are broken between their rows now,
which is where a table breaks on paper. The spacer there is a tr with
one borderless cell: a div inside a tbody is not something the browser
keeps. Its own spacer rows are subtracted again on the next measurement
and counted into the shift every block below inherits — miss that and
everything under a broken table is measured a page too high.

A dialog closed in the middle of an edit if a selection was dragged past
its edge: the click lands on the nearest common ancestor of press and
release, which is the backdrop, and every dialog read that as "clicked
beside me". They remember where the press began now. All ten.

A note and a chapter can wear a mark of their own beside the name,
chosen from a short list searched by what a thing is for rather than
from the system emoji keyboard — a different thing on every machine, and
three thousand pictures for a decision that is "which of these is the
invoice notebook". A separator takes its own colour and one of five
shapes, and a chapter can be divided like the notebook it sits in: both
places a chapter is shown draw it with one component now, so it cannot
be divisible in the column and not in the unfolded block.

Also: a chapter's colour could not be cleared, because the update rode
on COALESCE and null there means "leave it alone". A table's header row
is legible on the dark theme. Three entries in the table's own menu were
still German. Opening a notebook opens its first note, on a wide screen
only — on a phone the list is the screen.

Fourteen suites green: 364 browser checks, 241 unit tests.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-16 23:23:16 +02:00
marcandClaude Opus 5 165ccf3cf7 A chapter you can see, in the colour you chose
A chapter did not show until the notebook had a note in it. "Nothing
here" was asked of the notes alone, so a notebook whose only contents
were chapters showed the empty-list panel with the chapters hidden
behind it — making a chapter in a fresh notebook appeared to do nothing
at all. It is asked of every row now, and a notebook with chapters but
no loose notes says so in one line rather than looking like a list that
failed to load.

The colour is chosen while the chapter is being made, in the dialog that
asks for its name. It is what tells one chapter from the next, and
having to right-click a fresh one to say which it is meant two visits
for one decision. Renaming and recolouring afterwards are one entry in
its menu and one write; the server already took the colour on create,
the client simply never sent it.

The word "here" is gone. The line along the top of the pane says which
of the two places you are in, and saying it twice was noise.

Thirteen suites green: 338 browser checks, 241 unit tests.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-12 19:28:57 +02:00
marcandClaude Opus 5 d74fea4905 Chapters as rows, in two views, in their own colours
Three things Marc asked for, and one of them turned out to be the hinge
the other two hang from.

**A chapter is a row like any other.** Same grip, same drag, same place
in a hand-made arrangement as a note or a separator. That needed notes
and chapters numbered from *one* counter: numbered separately they are
two sequences that cannot be interleaved again, and a chapter dragged
between two notes springs back to the top. Positions therefore have to be
named rather than read off an array index, so POST /notes/reorder now
takes `positions: [{id, order}]` beside the older `ids`, and chapters
have a reorder route of their own.

**Two ways for a chapter to open**, chosen per account beside the
typeface, for the same reason that one lives there: it is a choice about
how your own notes are laid out and it should follow you to the phone.
Beside the list, its notes in a further column the way OneNote lays out
pages — the notebook's own list carrying on to the left, chapter rows and
all. Or unfolded under the chapter's own row, indented against a rule in
its colour. A phone has room for neither and fills the list instead, with
a way back, which is what it did before there was a choice.

**Its own colour**, from eight named ones rather than the full palette:
the point of chapters is that they are different places, and twenty
near-identical blues do not help anyone tell them apart.

The colour is validated on the way in — it is written by a browser, so
only a plain #rrggbb gets through and anything else becomes no colour.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-12 14:20:14 +02:00
marcandClaude Opus 5 1757ec9af3 Chapters: folders inside a notebook
A note is in exactly one chapter, or in none — which means the notebook
itself. Chapters sit above the loose notes; tapping one opens its own
list and the menu button becomes the way back out, which on a phone is
the only way, since the list fills the screen.

A chapter is not a wastebasket. Removing one never removes what it held:
the notes come back to the notebook, where they can be seen and filed
again. That is ON DELETE SET NULL, and it is also written out in the
delete route, because it is the promise the whole thing rests on and
should be visible where it happens rather than inferred from a schema.
The dialog says so too, with the number of notes affected, and the suite
removes a chapter holding three notes and asks the server for all three.

Three rules keep the two levels honest. A note filed into a chapter
leaves the notebook's own list, or filing it would appear to do nothing.
A chapter belongs to its notebook, so the server refuses to file a note
into a chapter of a book it is not in, and moving a note to another
notebook clears its chapter. And separators belong to the list they were
drawn in: a separator's order counts the notes before it, which means
nothing across lists.

Two bugs found while building it, both a day old and both affecting the
desktop rather than the phone they were written for:

- A submenu was clipped away. The context menu had been given
  `overflow-y: auto`, which cuts off anything flying out sideways — so
  the notebooks under "Move to..." were invisible and every click on them
  landed on the note list behind. The side was inverted too:
  `right: 100%` places a panel on the left.
- A separator was a one-pixel hairline in the border colour with faint
  grey text on near-black. Present, and on a phone effectively invisible.

And one test that never measured what it claimed. It asked whether a
dragged note had become "the most recently changed" by reading the order
on screen — but three notes made seconds apart share an `updated_at`
second, so that order is a tie broken arbitrarily. It passed on luck for
weeks and fell over on a run a fraction faster. It now compares the
timestamps themselves, before and after the drag.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-12 13:04:18 +02:00
marcandClaude Opus 5 8ca1ed6e06 Choose a cover in two parts, and let the app be installed
A cover is a colour *and* a pattern now, chosen in turn. Offering every
combination as its own entry meant fifteen colours times a dozen patterns
in a grid nobody could take in — and in practice only the handful someone
had thought to write out. Each pattern is previewed over the colour in
hand, so what is on screen is the cover as it will be. `cover_pattern` is
its own column: they are two decisions, and folding them into one number
would mean renumbering every cover the day a pattern is added.

For one day the patterns *were* twelve appended entries. Those indices
are read back as the colour-and-pattern pair they were drawn as, so
nothing chosen then looks different now.

And three separate reasons the install button never appeared, none of
them in anyone's configuration:

- `beforeinstallprompt` fires once, early — usually before React has
  mounted — and is never fired again. A listener added from inside a
  component simply missed it. It is caught at the top of index.html now.
- A `<link rel="manifest">` is fetched with credentials omitted unless it
  says otherwise. Behind a reverse proxy that authenticates in front of
  the app, that one request comes back as the proxy's login page and the
  browser reads it as an invalid manifest — while the app itself works
  perfectly, because its own requests carry the cookie.
- The service worker cached whatever came back, so a lapsed session could
  be stored as the application itself. The app would then "work offline"
  by showing a login screen it could never get past, curable only by
  clearing the site's data. Only successful, unredirected responses are
  cached now, and the cache name is bumped to drop anything already
  stored under the old rules.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-12 02:20:37 +02:00
marcandClaude Opus 5 608da16ac2 Make the phone work: touch reordering, reachable menus, and nothing lost offline
Four things that were built for a mouse on a desk and quietly did nothing
useful on a phone. The last one is the serious one.

**A note made offline lost everything written into it.** Its create
reached the server, the server named it something else, and every edit
still queued behind it went on addressing the name only that device ever
knew — 404, five retries, thrown away. The note arrived empty and
untitled, with nothing to say that anything had been lost. The database
was repointed at the new id all along; the queue was not. It is now, by
replacing the id across the whole queued payload rather than in a list of
named fields, because a list of fields is a list to forget to add to. The
same held for a notebook made offline and everything filed into it.

**The order of notes could not be changed on a phone**, because the list
went through the HTML5 drag API, which mobile browsers never fire from
touch. Pointer events instead, which mouse, pen and finger all produce. A
mouse still drags a row from anywhere; a finger drags from a grip,
because pressing the row has to go on scrolling and holding it has to go
on opening the menu. The row under the finger is found with
elementFromPoint — a finger raises no pointerover on anything it did not
press.

**"Move to..." opened off the side of the screen**, and could not be
opened at all without a hover. It is a tap now, unfolding in place where
there is no room beside the menu and flipping sides where there is. The
menu itself is placed by measuring rather than by assuming it is 220px
wide, its rows are tall enough to hit with a thumb, and Escape closes it.

**Installing said nothing when it could not be done.** The entry appeared
only when the browser had offered a prompt, so where installing was
impossible there was no button and no reason. It is always there now and
names the cause — most usefully that a browser will only install a site
served over HTTPS, which is also why the service worker would not have
registered, so one cause was showing up as two mysteries.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-12 01:16:41 +02:00
marcandClaude Opus 5 8e38404a69 Read a PDF where it is imported, and keep the text with the file
A PDF was searchable on a device once that device had opened it, because
the extracted text lived in that browser's IndexedDB and nowhere else. So
a document imported on the desktop was invisible to a search on the
phone — which is exactly the case that matters for filing invoices, since
those are imported and then never opened again.

The reading still never happens on the server. It has no PDF library and
is not getting one: the bytes arrive encrypted and are stored that way.
The device that imports the file reads it there and then, and the result
is stored beside the file in attachments.text_index, encrypted at rest
like everything else and opaque to the server. Every other device asks
for it after login and can then find a document it has never downloaded.

Not storing it was the earlier decision, on the reasoning that text
derivable from bytes the server already holds should not be kept twice.
True, and useless. A few hundred kilobytes against a file measured in
megabytes is a trade worth making.

A `null` answer is not an error — it means nobody has read this file yet.
Documents extracted before this existed are sent up the next time they
are opened.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-11 19:26:07 +02:00
marcandClaude Opus 5 2cee00e38e Fix a permanent black line in the note list, and add separators
The drop indicator was a `borderTop` set in the same style object as a `border`
shorthand. Clearing the longhand resets its width and colour to the defaults
while the shorthand's `solid` stays, so a row kept a 2px black line for good —
measured at rest, before any drag. It is now its own element, which also stops
the list twitching as a row grows and shrinks by a pixel.

That element then turned out to be a dead strip of its own: it pushes the row
down as it appears, so the pointer ended up over the line rather than over the
row and releasing there dropped on nothing. The drag handlers moved to the whole
row and the indicator no longer takes pointer events. A strip below the last row
means "put it at the end", which otherwise needs a drop onto the final note.

Separators are lines drawn between notes, optionally named, stored on the
notebook beside its sort mode. They drag like notes do, and their position is
"how many notes come before me", so they hold their place as the notes around
them are renamed or edited. Shown only in the manual order — in "newest first"
the notes would slide past the line on every edit.

"All Notes" and "Starred" no longer offer a hand-made order: they are questions
asked of every notebook, so there is nothing for an arrangement to belong to.

199 unit tests, 190 browser checks across eleven suites.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-10 01:45:38 +02:00
marcandClaude Opus 5 0a0864c58b Sort a notebook, import Markdown back, and stop the page shrinking in Draw
The paper measurably shrank on switching to Draw — 733px to 460px on the same
screen. The editor was a flex item at its default `flex: 0 1 auto`, so its width
was its widest row's: the toolbar. Swapping a dozen formatting buttons for six
drawing ones collapsed it. It now fills the pane, so the width is a property of
the window.

Each notebook remembers how its notes are ordered, on the server rather than per
device. The manual order has to survive being looked away from, so `reindex`
renumbers every note in the notebook rather than the filtered view, and dragging
is switched off while a search narrows the list. Reordering has its own route:
`PUT /notes/:id` would bump `updated_at` and snapshot a version, so a drag would
move a note to the top of "last changed" and spend a slot of its history.

Markdown and our own ZIP archives come back as notes, with their images
re-uploaded as attachments. A drawing returns as the PNG it was exported as —
vectors are not recoverable from pixels — and the import says so rather than
leaving it to be discovered. Writing the parser turned up a real bug in the
exporter: blocks were emitted with no blank line between them, so a list after a
list became one list and a quote after an item was read as part of it.

Creating or importing from "All Notes" now asks which notebook instead of
silently taking the first one. The web-link prompt is a real dialog: a bare
domain becomes https, javascript: is refused with a reason. The PDF viewer's
hide-drawing control is a labelled button rather than a filled-or-hollow dot,
and the export icon points down into a tray like every other download.

186 unit tests, 179 browser checks across eleven suites, including a new
`offline` suite that loads the app cold with the network off.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-09 01:38:03 +02:00
marcandClaude Opus 5 3acb8b66a4 Free unused attachments, and keep versions by count rather than by age
Two rules governed version retention: the newest 50 per note, and a sweep
of anything past 90 days. The second was wrong. The count already bounds
what a note can accumulate, so age only ever deleted history nothing had
replaced — and it bit hardest exactly where history is most wanted, a
note left alone for a quarter of a year losing its whole past for having
done nothing. It is off unless VERSION_RETENTION_DAYS is set.

How many versions to keep is now a notebook's own setting, falling back
to the server default when left empty. A reference notebook can keep
fifty of everything while a scratch one keeps three.

That makes freeing attachments answerable. A picture taken out of a note
cannot be deleted straight away: the versions from before still show it,
and restoring one would find a hole. It is released once no current note
and no kept version refers to it — which, with retention by count, is
when the last version holding it is pushed out.

The server cannot look for itself, bodies being encrypted, so the client
reports a note's attachments on every save as it already does for links,
and a version inherits what the note held when it was snapshotted — by
definition what that version contains.

Two things make it safe rather than merely plausible. Silence is not
"uses nothing": a note written before this existed has no rows, which
looks identical to one with no pictures, so nothing is released for a
user while any of their notes has yet to report — the prefetch that fills
the search index reports for them on its first pass. And an upload has a
row before the note using it does, so recent attachments are left alone.

POST /api/admin/housekeeping runs the sweep on demand.

Caught while testing: the same block of markup had been pasted into the
create-notebook dialog as well, where the state it referenced did not
exist — the dialog crashed on open.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-08 22:22:46 +02:00
marcandClaude Opus 5 2986bcb620 Read imported PDFs in the app
Stage three: the viewer. Drawing on pages comes next.

pdf.js stays out of the bundle everyone downloads — it is larger than the
rest of the application put together, so it is behind a dynamic import and
a session that never opens a PDF never fetches it. Main bundle grew by
8 kB for the viewer shell; the 162 kB library arrives only when needed.
The worker is bundled rather than pulled from a CDN, because a viewer
that stops working during someone else's outage is not one you can rely
on offline.

Two things that only showed up once it ran in a browser:

- pdf.js 6 calls Uint8Array.prototype.toHex, which only very recent
  browsers have. Anything older failed with "n.toHex is not a function",
  which says nothing about the cause. Now on the legacy build, which
  compiles those away — a little larger, and the difference between
  working everywhere and working on this year's browsers.
- nginx has no MIME type for .mjs and served the worker as
  octet-stream, which a browser refuses to run as a module.

Pages are laid out at their true proportions before anything is drawn, so
the scrollbar is honest immediately and a document mixing portrait and
landscape keeps both — the first version scaled every page to the widest
one, which the suite caught by checking the two aspect ratios differ.

Bytes come from the authenticated attachment route and are cached in
IndexedDB. Content-addressed storage means a cached copy can never be
stale, so a document opened once needs no connection again. Verified with
the network switched off.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-08 20:36:04 +02:00
marcandClaude Opus 5 92d525b3ab TipTap editor, version history, search, attachments — and a cleanup
The app is meant to run in daily private use now, so this pass was mostly
about the ways it could quietly lose data.

Reliability and security:
- the server no longer invents a JWT_SECRET or ENCRYPTION_KEY when one is
  missing; it refuses to start. The old fallback silently made every stored
  note unreadable after a restart.
- notes are encrypted with AES-256-GCM (v2:); existing CBC bodies still read.
- login is rate limited and compares against a dummy hash when the user does
  not exist, so timing does not reveal who is registered.
- a server response issued before a local save is never adopted. This had
  already eaten drawing strokes and note links; sync.hasPendingWrites() now
  guards every path that takes a body from the server.

Editor and features:
- TipTap replaces the contenteditable editor: tables, task lists, and links
  to other notes and notebooks, with a backlinks bar on the target.
- content format v2 ({v:2,doc}); v1 {html,tasks} bodies migrate on open.
- version history: the state before each write is snapshotted, coalesced
  into 5-minute windows, 50 versions or 90 days per note.
- full-text search runs in the client, because the server cannot read
  encrypted bodies and a server index would defeat the encryption.
- image attachments are stored by SHA-256 and deduplicated; the client
  fetches them authenticated and caches the blob, so they work offline.
- drawings are vector strokes in a fixed 1200x1600 page space and now look
  the same on every screen (0.0-0.2% deviation across four widths).
- login is by username; existing email accounts migrate automatically.

Operations:
- data lives on host bind mounts, not Docker volumes, so Proxmox Backup
  covers it. Back up .env with it — without ENCRYPTION_KEY the dump is
  unreadable.

Structure:
- NoteApp.jsx is gone. App.jsx now holds only where the user is; note data,
  search, layout, history and drag each live behind a hook, and the four
  panes are stateless.
- the whole data layer is TypeScript, with 81 unit tests concentrated on
  the places that have actually broken.
- fixed along the way: the browser back button had a dead press, because
  restoring a history entry pushed a duplicate one.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-07 17:00:14 +02:00